“Vessel is an enjoyable, melancholic, and warm exposé of Despard’s repertoire, and for already existent fans, it’s an effective reintroduction of some of her most popular recordings through her passionate reinterpretations. Vessel is sequenced wisely and comes across like a dreamy, twilight recording session.” —Sahar Oz, Delusions of Adequacy
The songs of singer-guitarist Alice Despard are like New York City rock ‘n’ roll played on an old Harmony acoustic guitar — like Patti Smith interpreting the work of Neil Young. Despard fuses her intuitive, poetic observations with a warm mysticism, producing sparse, intellectually muscular songs that resemble nothing so much as four-minute pop hymns. Blending the stark realism of the Velvet Underground with the oblique optimism of early R.E.M., they play as fresh and original while touching some of the most significant bases in modern rock.
Add to this mix the influences of Van Morrison, the Beatles, Mission of Burma, East River Pipe, Vic Chesnutt, and the Sea and Cake, and you find you’re listening to a songwriter as distinctive as any in alternative pop. Swinging between poles of urban angst and alt-country pastoralism, Despard fuses the external and the internal, the physical and the spiritual. From her formative years leading the group Hyaa! to a solo career spanning five albums, she has carved out a unique vantage point. With each record, her perspective resonates more deeply.
Despard’s Vessel brings her expressive voice to the fore. Comprised of original material both old and new, it reinvents her traditional indie aesthetic as a sort of unamplified melodicism, the abrupt beauty of a singer left standing after all the Marshall stacks have blown. While Despard’s solo efforts, Push Me Pull You (1999), Alice Despard Group (2000), and Thinning of the Veil (2003), were rooted firmly in the whir-‘n’-blur of indie pop, Vessel relies on the arresting candor of her unadorned voice.
While Despard makes what The Washington Post called “lush, ethereal country rock,” the music’s heady spiritualism is difficult to classify. Whether accompanied solely by her acoustic guitar, or by inventive collaborators Evan Pollack (drums), Philip D’Ambrosio (bass), and Bobby Birdsong (lap steel), Despard leaves sonic fingerprints not found in the recordings of other artists. From the Velvet-esque “The Well” to the soulfully plaintive “By the Way” to the sweetly sparkling “Hold You Up,” Vessel speaks to a rich inner life.
Despard founded a web site, Majesterium, dedicated to her music and writings, in 2021.
Also available from Wampus: Push Me Pull You and Samsara.